We are two abysses - a well staring at the sky.

I feel closer ties and more intimate bonds with certain characters in books, with certain images I’ve seen in engravings, than with many supposedly real people with the metaphysical absurdity known as ‘flesh and blood’. In fact, ‘flesh and blood’ describes them very well: they resemble cuts of meat laid out on the butcher’s marble slab, dead creatures bleeding as though still alive.

Why is art beautiful? Because it's useless. Why is life ugly? Because it's all ends and purposes and intentions.

I’ve dreamed a lot. I’m tired now from dreaming but not tired of dreaming. No one tires of dreaming, because to dream is to forget, and forgetting does not weigh on us, it is a dreamless sleep throughout which we remain awake. In dreams I have achieved everything.

I enjoy wording. Words for me are tangible bodies, visible sirens, incarnate sensualities.

My hapless peers with their lofty dreams--how I envy and despise them! I'm with the others, the even more hapless, who have no-one but themselves to whom they can tell their dreams and show what would be verses if they wrote them. I'm with those poor slobs who have no books to show, who have no literature beside their own soul, and who are suffocating to death due to the fact that they exist without having taken that mysterious, transcendental exam that makes one eligible to live.

All of this passes, and none of it means anything to me.It's all foreign to my fate, and even to fate as a whole. It'sjust unconsciousness, curses of protest when chance hurlsstones, echoes of unknown voices - a collectivemishmash of life.