Learn to spot and avoid "writer groupies." The writer's self-sufficiency and our love for our work tend to attract insecure people who never can get enough love. They grow jealous of our work and come to regard it as a rival. These people can destroy you, so kick them out of your life or don't admit them in the first place.

There's something unrefined about a reading woman, they always reek of the lamp. How can she grow up to be a lady if she's always got her nose in a book? Granny Rudin

By sending the contradictory message that the famous are just plain folks on Mount Olympus, America has forged a relentless tension between loftiness and accessibility. Stir in the fact that the inborn talent and intelligence needed to achieve fame are immune to distributive tinkering by government programs and you have a definition of fame certain to produce envious rage: somebody screwed democracy.

There is nothing wrong with "women's studies" that studying the right women can't cure, but feminist literary scholars have a penchant for dragging the rivers of deserved obscurity for third-rate neurotics.

To me, elitism means a love of excellence and superiority, but America has declared war on both and developed a sick love of the lowest common denominator to make sure no-one becomes too fine for our touted democracy. We are almost at the point of regarding every virtue as elitist.

The American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.

The witty woman is a tragic figure in American life. Wit destroys eroticism and eroticism destroys wit, so women must choose between taking lovers and taking no prisoners.