The American woman's concept of marriage is a clearly etched picture of something uninflated on the floor. A sleeping-bag withoutair, a beanbag without beans, a padded bra without pads. To work on it, you start pumping--what the magazines call "breathing life into your marriage." Do enough of this and the marriage becomes a kind of Banquo's ghost, a quasi-living entity.

"Very" is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen. For example, would you rather hear the mincing shallowness of "I love you very much" or the heart-slamming intensity of "I love you"?

I have a professional acquaintance whose recent eyelid job has left her with a permanent expression of such poleaxed astonishment that she looks at all times as if she had just read one of my books.

I do believe in reincarnation, but I do not believe there is life before noon.

We want a president who is as much like an American tourist as possible. Someone with the same goofy grin, the same innocent intentions, the same naive trust; a president with no conception of foreign policy and no discernible connection to the U.S. government, whose Nice Guyism will narrow the gap between the U.S. and us until nobody can tell the difference.

I cherish the review-as-literature; as lapidary journalism in the eighteenth-century mode, the last hard sparkling diamond in theessayists's tarnished crown. To me, writing a good review is not just a way to make extra money, but a sacred duty.

A cardinal rule of writing is never interrupt yourself to explain something. If you must bring up an obscure topic, drop informative hints about it as you go along so that you don't end up with the entire explanation all in one place. This keeps you from skidding to a stop and sounding teacherish. Otherwise it's better to omit the obscure topic altogether, or as mothers might put it: if you can't say it interestingly, don't say it at all.