My visual landscape as a child was the inside of a lot of these old churches. And the Baroque drama of the things was what I was first engaging with artwise. I'm much more attracted to the aesthetic of religious iconography than the actual religious side. The passion and the blood and the violence and the gaudy side of it I find really fascinating.

I always wanted to sound like a man, like Jeff Buckley or Tom Waits.

The aesthetic came along the way, I think - just through experimenting, and going on tour, and trying stuff out on stage, having fun with it, and not taking it too seriously. If I had a ballgown at home, I'd wear it onstage. If I found something in a charity shop, I'd wear it. That's where it grew from - just wanting to play dress-up.

Having a soul, they say, is like taking sadness and turning it into something beautiful.

I like a house party and fancy dress, a big fan of fancy dress, like dress up, costume parties.

I look really odd in jeans and a hoodie - it doesn't feel or seem right.

I dyed my hair red when I was ten and when I was 11 - in my goth period - I dyed it black and I was really into witchcraft. I made mini shrines in my bedroom with candles and tried to cast spells to make the boy in the next class fall in love with me. I don't think he did.