Making money, getting yourself status in this world is not everything at all. But it has become everything in America. That you really have to get going and keep up with the Jones'. Get a house and a car and other things. And pretty soon you're stymied. Things own you.

When you get to political machines that can control a state, then you're really into organized crime - almost. You're fighting a political mafia.

I was the enemy of the major studio. I believed in one man - one film. I believed one man should make the film. And I believed the director should be that one man. One man should do it - I didn't give a damn who. I just couldn't accept art as a committee. I could only accept art as an extension of an individual.

All you can do is learn the skills of movies. Neither colleges nor anyone else can teach you creativity. They can teach you abilities to work with - you know how to use the gifts you've been born with.

If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.

There's music in my films but you seldom hear it. Very early I got the idea that the important things in films were people - the actors. They are the intermediary between the director and the audience. They make direct contact. People to people communication.

My films must let every man, woman, and child know that God loves them, that I love them, and that peace and salvation will become a reality only when they all learn to love each other.