Liquid architecture. It's like jazz - you improvise, you work together, you play off each other, you make something, they make something. And I think it's a way of - for me, it's a way of trying to understand the city, and what might happen in the city.

As much as we pretend otherwise, we want what's comfortable, and we're afraid of the different. We're afraid of change.

There is a backlash against me and everyone who has done buildings that have movement and feeling.

We should celebrate variety rather than conformity and allow people to express themselves. That we don't is more of our denial.

I don't micromanage the interiors. People ask me to and I say no. I don't want to control everything.

I work from the inside out.

My buildings are all on budget.