My first show was when I was a high school freshman, but it was at the junior class dance. My older friend and bandmate booked it.

Normally you'll have a structure to a song. You'll have an intro to a verse to a pre-chorus to a chorus, kinda repeat that, maybe there's a bridge, then you'll go out on a chorus - that's the quintessential song structure - sometimes you might do a fake-out, re-do a pre-chorus but the chorus doesn't come until later, but for the most part you follow these tried and true structures.

I started thinking about how life is a lot like getting pushed out of a plane. You didn't ask to be here, none of us did. But we're all careening through space towards an eventual end that no one's gonna be able to put off. That's the only thing that's definite, this impact. So I started to think about how a lot of us fall at an incredible velocity, and it's over in the blink of an eye.

I have no want or desire to solo. I'd rather create melodies and accompanying parts.

I would rather be trampled by thousands of children than touch a spider.

To kill the misconception, I don’t think the songs we wrote before ‘Danger Days’ are bad songs by any means. In fact, I kinda think some of them are among my favorites we have ever written. A lot of them are kinda f—ing rad… they just so happened to have been created in the wrong place, at the wrong time, and we as their parents were not ready to raise them just yet… and so they sat and waited.

Basically, I thought for a very long time that making music and art projects, that that was just something that I did, and real life was separate. And I'm starting to realize that the things that I do, making music and art and photography and all that, it's not just something that I do. It's who I am. So I don't think I'll ever be able to stop. It's like that curse that you live with, this thing that you love but you also hate it at the same time. It brings you a lot of joy but also a lot of heartbreak.