I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.

I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.

In a stage play, you kill the leads and they come out for a bow - in a movie, they don't come out for a bow, they're dead.

I'm always amused that people zero in on one thing, and it's the wrong thing to zero in on, but nevertheless, the reason they do that is because the voice is what they know - the voice represents everything about the character, that's why.

I was a weird kid. I shouldve been gay because I listened to a lot of Broadway musicals. I dont know why Im not gay. I listen to a lot of jazz and world music, like African or Cuban music. Something that has vitality to it. A lot of the American stuff just feeds on itself.

Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.

I just want to do good work. That's all I want to do. I don't have big aspirations like being the President of the United States, I just want to do good work. That's all.