So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

When I came on board, it was halfway through his [Frank Sinatra] 72nd year, and when he did his last show he was gaining on 80. He knew it, the audience knew it, and there was never any attempt to conceal such a thing. His vision wasn't what it had once been. His hearing wasn't. His memory was fading. He knew these things. He was very much in need of help, and I was so happy to be able, in a small way, to render that help.

I have said my philosophy - I'm a backyard philosopher, I guess - is that the dirtiest word in the English language is "retirement."

Frank Sinatra was very devoted to what it was he did. At the end of his life, what he had left - there have been accolades, mementos, festivals, superlatives, all that stuff. He's done movies, TV, done this, done that - what he had left was a love of his audience, and that kept him alive.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

There was a time in medieval England when they had wandering minstrels ... A wandering minstrel would have been Frank Sinatra's counterpart had he lived during the time of Henry II in 1190 or 1180.

I was able to put something back. I was able to be of help to [Frank Sinatra] when he needed my help - and he did need somebody's help.