So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

I have said my philosophy - I'm a backyard philosopher, I guess - is that the dirtiest word in the English language is "retirement."

For some years now, I've been doing a program called "Sinatra Sings Sinatra." It's been going on virtually since the end of '98. Nineteen ninety-eight was the year Frank Sinatra died. ... Now having reached what would have been his 100th year - I decided back in 2013 when we started to put all of this together, I decided what we should do was the first "Sinatra Sings Sinatra" in which we go audio visual.

I think in my generation, when I came along in the early '60s, the type of music that was in vogue in society in those days had moved on to another kind of music. I was trying to sell antiques in a modern appliance store.

As I look back on it now, I'm thinking of one very vital factor, that one factor being that I was afforded the luxury - the luxurious opportunity - of finally being able to put something back. As a child growing up, it was his [Frank Sinatra] efforts that put a roof over my head, food in my stomach, clothes on my back, and that got me an education and sent me to the doctor when I was sick. All those things a child could benefit from parent. I did not want to be in a position where all I had ever done was take, take, take, frankly.

This disease they call 'rap' - some kind of rhythmic pulse is going by, while some sociopathic idiot is belching out grade school poetry.

Hopefully I never get hit with that stigma of being a novelty act. Since [my father] death in 1998 I've been doing a program called Sinatra Sings Sinatra.