I always think I'm going to record a lot on tour but it's always hard to fit it in the schedule, and there's a whole lotta' other extra curricular activities that happen on the road.

I've never had a car. Like I can drive, but I'm always at the risk of killing people.

I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.

I'm on this raised-platform-stage and I'm put on display, but at the same time I'm just a human. I'm just a regular person at the end of the day and, you know, I just want them to know that I do appreciate every single one of them.

I think the special stuff [music] still finds a way to be heard, as long as you pair it with a good release strategy.

I'm a Gemini, so there's two people in me. Straight up. There's the nerd who is totally zoned out in the studio, EQ-ing this kick drum, raising this snare one decibel, or swapping this high hat out for another. Then there's the other side who's a performer. I have to go out on stage and be electric, a fire cracker, just run around the stage and give a show.

If you think about rap and how it has become so much easier to record music and release it, and you think about everyone in the world being a 'rapper' these days, it's so much easier. But it's still as hard as ever to break through and truly be successful in this industry.