You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.

When I look at photographs, I couldn't care less "how."

I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!

There's all kinds of people teaching who don't do anything worth a nickel. Likewise in advertising.

The photograph should be more interesting or more beautiful than what was photographed

I was able to work with two heads. If anything, doing ads and other commercial work were at least exercises in discipline.

If you didn’t take the picture, you weren’t there.