I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!

The photo is a thing in itself. And that's what still photography is all about.

I don't think time is involved in how the thing is made.

If you run into a monkey in some idiot context, automatically you've got a very real problem taking place in the photograph.

You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.

I don't know how to say easily what I learned. One thing I can say I learned is how amazing photography could be.

I don't go around looking at my pictures.