Certainly, you know, you can always learn from some - from somebody else's - from some intelligence. I think. I hope.

I develop my own film. And I work in spurts. I pile it up.

What I know bores me.

In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.

I photograph what interests me. I'm not saying anything different.

If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.

I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!