Certainly, you know, you can always learn from some - from somebody else's - from some intelligence. I think. I hope.

The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.

At times I'd much rather talk about other work.

Cameras intrigued me.

There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.

You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.

When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.