The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.

I'm surviving. I'm a survivor.

If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.

There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.

I'm a photographer, a still photographer. That's it.

I may very well move in. I just don't know. I can't sit here and know what pictures I'm going to take.

It's got to do with the contention between content and form. Invariably that's what's responsible for its energies, its tensions, its being interesting or not.