The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.

What I know bores me.

In the end, maybe the correct language would be how the fact of putting four edges around a collection of information or facts transforms it. A photograph is not what was photographed, it's something else.

If you take a good look at the book [ Stock Photographs], it's largely a portrait gallery of faces - faces that I found dramatic. And some of those turned out to be reasonably dramatic photographs. But that's all it is, I think.

There are photographers whose shows I try to make it my business to see, if I'm in the city. There are photographers I have no interest in at all.

No one moment is most important. Any moment can be something.

Cameras always were seductive. And then a darkroom became available, and that's when I stopped doing anything else.