It's got to do with the contention between content and form. Invariably that's what's responsible for its energies, its tensions, its being interesting or not.

I enjoyed it [commercial work] until I stopped. You could travel and get around. I can't really explain why, I just didn't want to do it anymore.

There've been times it's been just impossible to find a negative or whatever. But I'm basically just a one man operation, and so things get messed up. I don't have a filing system that's worth very much.

I have a burning desire to see what things look like photographed by me.

A photograph can look anyway. It just depends basically on what you photograph.

I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.

Every photograph could be set up. If one could imagine it, one could set it up. The whole discussion is a way of not talking about photographs.