Every photograph could be set up. If one could imagine it, one could set it up. The whole discussion is a way of not talking about photographs.

The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.

I'm surviving. I'm a survivor.

[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.

Sometimes photographers mistake emotion for what makes a great street photograph.

I have boxes of pictures that nothing is ever going to happen to. Even Public Relations. I mean, I was going to events long before, and I still am.

Nobody exists in a vacuum.