You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

I have to photograph where I am.

I'm trying to learn more and more about what's possible.

I felt that from my end, I should deal with the thing itself, which is the event. I pretty much functioned like the media itself.

There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.

I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!

The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.