You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.

I have to photograph where I am.

The primary problem is to learn to be your own toughest critic. You have to pay attention to intelligent work, and to work at the same time. You see. I mean, you’ve got to bounce off better work. It’s matter of working.

It's the easiest thing in the world to do that, to make successful photographs. It's a bore.

Aside from the fact of just taking things out of context, I don't know why. That's part of a mystery. In a way, a transformation is a mystery to me. But there is a transformation, and that's fascinating.

Certainly, you know, you can always learn from some - from somebody else's - from some intelligence. I think. I hope.