I think there's some stuff that's at least photographically interesting. There are things I back off from trying to talk about.

For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.

I had an agent. When [Edward] Steichen was doing "The Family of Man", I went up to the office one day. I think Wayne Miller, who assisted Steichen with "The Family of Man," was up there and pulled out a bunch of pictures. So I got a message: "Take these pictures, call Steichen, make an appointment and take these pictures up there." And that's how I met him.

Language is basic to all of our existences in this world. We depend on it.

A pun calls the meaning of a word into question, and it upsets us tremendously. We laugh because suddenly we find out we're not going to get killed. I think a lot of things work that way with photographs.

I've goofed, and there's been something interesting, but I haven't made use of it. It just doesn't interest me.

There are no photographs while I'm reloading .