It's the easiest thing in the world to do that, to make successful photographs. It's a bore.

A photograph can look anyway. It just depends basically on what you photograph.

Language is basic to all of our existences in this world. We depend on it.

I'm still compulsively interested in women. It's funny, I've always compulsively photographed women. I still do.

For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.

Teaching is only interesting because you struggle with trying to talk about photographs, photographs that work, you see.

Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.