There's all kinds of people teaching who don't do anything worth a nickel. Likewise in advertising.

Two people could look at the same flowers and feel differently about them. Why not? I'm not making ads. I couldn't care less.

I still don't understand why when you put a piece of paper in a tray with solution in it, it comes up. It's still, in a sense, magic to me. It's a funny thing, you know. I've got two kids, and when they were very young, they used to come in the darkroom and I thought they'd be astounded by that. Nothing. When they got a little older, then they got astounded by it.

The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.

I don't really have any faith in anybody enjoying photographs in a large enough sense to matter. I think it's all about finances, on one side.

I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.

The only thing that's difficult is reloading when things are happening. Can you get it done fast enough?