There's all kinds of people teaching who don't do anything worth a nickel. Likewise in advertising.

I have to photograph where I am.

You don't solve anything ever, really. You simply state a problem which, when you're lucky, gives you some idea of what possible problems you can - it indicates, you know, your future headaches.

What you photograph is responsible for how a photograph looks - the form, the design, whatever word you want to use.

You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

I was able to work with two heads. If anything, doing ads and other commercial work were at least exercises in discipline.

If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.