The museums want large crowds coming to the shows - it's the same thing. It's hype. Absolutely. But there's nothing evil about it.

I may very well move in. I just don't know. I can't sit here and know what pictures I'm going to take.

You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.

If you take a good look at the book [ Stock Photographs], it's largely a portrait gallery of faces - faces that I found dramatic. And some of those turned out to be reasonably dramatic photographs. But that's all it is, I think.

A photograph can look any way.

The game, let's say, of trying to state photographic problems is, for me, absolutely fascinating.