I don't know. I don't go around looking at my pictures. I sometimes think I'm a mechanic. I just take pictures. When the time comes, for whatever reason, I get involved in editing and getting some prints made and stuff. There are things that interest me. But I don't really mull over them a lot.

It's the easiest thing in the world to do that, to make successful photographs. It's a bore.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

The world isn't tidy; it's a mess. I don't try to make it neat.

Just think how minimal somebody's family album is. But you start looking at one of them, and the word everybody will use is "charming." Something just happened. It's automatic, just operating a camera intelligently.

It's a lot of work organizing something, whether it's a show or a book, and I don't want to do it every day.

Two people could look at the same flowers and feel differently about them. Why not? I'm not making ads. I couldn't care less.