It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

I look at a photograph. What's going on? What's happening, photographically? If it's interesting, I try to understand why.

I don't know how to say easily what I learned. One thing I can say I learned is how amazing photography could be.

I have a burning desire to see what things look like photographed by me.

Tod or Hank Wessel, Bill Dane, Paul McConough, Steve Shore. Robert Adams, for sure. I'm ready to see what they do.There's a lot of people working reasonably intelligently.

I get totally out of myself. It's the closest I come to not existing, I think, which is the best - which is to me attractive.

It's the easiest thing in the world to do that, to make successful photographs. It's a bore.