I'm still compulsively interested in women. It's funny, I've always compulsively photographed women. I still do.

There was a camera club at Columbia, where I was taking a painting course. And when I went down, somebody showed me how to use the stuff. That's all. I haven't done anything else since then, It was as simple as that. I fell into the business.

The camera's dumb, it don't [sic] care who's pushing the button. It doesn't know.

Aside from women, I don't know. My work doesn't function the way Robert Frank's did.

You've got a lot going for you, you see. By just describing well with it, something happens.

There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.

The contest between form and content is what, is what art is about - it's art history. That's what basically everybody has ever contended with. The problem is uniquely complex in still photography.