Being onstage is a way of harnessing your vulnerability and using the adrenaline to be creative. It's a very vulnerable place to be - technically, emotionally, and physically - but I love it.

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

I keep my house tidy, because then I can think clearly. I feel the same about myself. Presenting yourself well is a working-class thing - my dad was a printer, but he wore a tie most days. The ungroomed look belongs more to the middle classes.

I think I tried to control situations within my first marriage and I wasn't the easiest person to live with.

My life is routine-obsessed. I'm OCD, and if I'm not at home, I always get up early and exercise. I don't crash and burn at night, not these days, so early-ish to bed. At home, I have three small boys who bring me down to earth with school runs and endless meals.

The thought of going on tour with people like Toyah Wilcox is just appalling. I'm certainly not tempted.

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.