For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.

I love my children unconditionally.

In the '80s the band was 24/7. You were only as good as what you were producing at any given moment. Now my family is more important. I also think having the shock of your mum and dad dying humbles you slightly.

I keep my house tidy, because then I can think clearly. I feel the same about myself. Presenting yourself well is a working-class thing - my dad was a printer, but he wore a tie most days. The ungroomed look belongs more to the middle classes.

The breakup of my first marriage was my first failure; I had to learn to accept that and support the people involved. The court case brought against me by three of the band was awful, but learning how to let it go, move on, and come back together as friends and creative partners was a life lesson above any other.

Being onstage is a way of harnessing your vulnerability and using the adrenaline to be creative. It's a very vulnerable place to be - technically, emotionally, and physically - but I love it.

For 24 hours a day, for 10 years, all I thought about was being in a band. That's all I did. I had no other social life. I don't want my life to be like that now. I've spent the past 10 years having a real life as well. But Spandau Ballet is such a difficult shadow to outrun.