I think that in the American film industry - or even in the European cinema - movies are made not to disturb any kind of class or any kind of minority.

In France now, there's no problem with official censorship. Once your movie is finished, you always are R-rated. My movie is just R-rated in France. But when you meet French producers with a script like mine, they behave like the most fragile chickens in the world. They just tell you "Oh, no. You should cut this. You should cut that." And at the end you have been totally censored on the synopsis, and then on the script.

I felt attacked because people rejected me. They didn't say "we can give you money to do something else if you want," they just said "no, this movie cannot be done" and I said "okay, so I'll do it!"

If you're a Bosnian and suddenly you get attacked by the Serbs, there's just one way of getting rid of your opponents. It's taking revenge and trying to fight as hard as you can.

My father is much more into forgetting and forgiving, but I'm much more into revenge.

I always think of moments of love with someone I love.

I belong to the petit bourgoiusie somehow, because of my parents.