People like Arvo Part would not have been taken seriously 20 years ago.
One thing I'm doing on the new Titanic recording is actually bringing in different acoustic spaces.
Writing tonal music now, you are not writing into the 19th Century.
It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.
Over the years I have tried to develop something which is technically assured.
What was once underground is now coming to the surface.