There's another way of making music, by touching the lives and feelings of ordinary people.
People like Arvo Part would not have been taken seriously 20 years ago.
Over the years I have tried to develop something which is technically assured.
When Philip Glass asked me if I would be interested in doing a new recording of Jesus' Blood he assumed that I would do something similar to the first version and wanted to know what other pieces would be on the same CD.
What was once underground is now coming to the surface.
I currently spend a lot of time thinking about orchestration and every detail of a piece.