I don't know how in the twenty-first century we can possibly justify not showing girls things that they can aspire to, and at the same time, how can we possibly be showing boys this narrow vision of what women are and what they can be.

My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.

I used to be very unathletic. I was always so gangly and self-conscious about my height. I had convinced myself I was uncoordinated. And as a result, I didn't want to try stuff.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."

I love theater. Just, it never spoke to me.

I once read a quote that I think was Michelle Pfeiffer in an article, who said that she thought people went into acting because maybe if you could convince millions of people to like you, you will finally like yourself, approve of yourself. I don't know if that may have been a part of it.

I almost never get nervous. I have ice water in my veins.