I watch very little television, actually. There's so many shows I want to watch and then I know I'll get hooked and I have to binge-watch the entire thing.

There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.

I wanted to take up a sport the real way and see if I actually had athletic ability. And then I happened to see it was during the Atlanta Olympics. And there was a lot of coverage of archery because the U.S. men's team won all the medals. And I thought, "Wow, that's beautiful. And it's so dramatic, a beautiful sport. And I wonder if I would be good at it?"

I'm very competitive, I think.

My theory of everything is that we are training kids to have gender bias against girls, therefore when you are an adult, you don't see it. We think it's normal.

On film, you can't do it over again. And you do have to stop shooting at a certain point.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."