The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.

My parents are both from Vermont, very old-fashioned New England. We heated our house with wood my father chopped. My mom grew all of our food. We were very underexposed to everything.

There were so many women who had worked throughout the war in every possible job. They were told, "Now leave, so the men can come in" and there was this whole feminizing of women: You have to be very, very retiring and submissive and whatever.

Any movie you see, if Tom Cruise is in an action movie or whatever it is, The Avengers, there's going to be a kick-ass female character. Usually one. And there's a term for this, but I don't know what it is. But someone's coined a term where there's one female character who's incredibly tough and strong and just as good as the guys at whatever it is they’re doing, and usually wearing black, skin-tight clothes, and [she] has no personality whatsoever, and is not funny.

I got cast playing the best baseball player anybody's ever seen. I don't know how to play any sport, including baseball, but I trained really hard. They had these great coaches, and they started saying, "Wow, you have some like really untapped athletic ability."

Obviously, movies don't almost ever shoot in sequence.

I remember very distinctly being so tall I didn't fit sleeves, so I ended up modeling lingerie and bathing suits, sleeveless stuff, basically. I didn't have a good body, but I believed I knew how to stand or pose to mask it.