I'm not somebody who takes stuff home with them, that if I shoot a scene and I'm personally impacted for days or something. I mean it certainly is affecting and everything, but it doesn't penetrate to some deeper layer. I'm in it when I'm in it.

I do like the process of producing. Later in my career, like when I had the TV show, I was a producer and I've been on a few things.

Once I fix what kids watch, I'll be moving on to everything else.

I always want a challenge. My whole career has been based on trying to avoid female characters that don't get to do anything. And it's really hard to avoid those.

I was tall from minute one. Always the tallest kid by a large margin. And my fantasy was to take up less space in the world.

I once read a quote that I think was Michelle Pfeiffer in an article, who said that she thought people went into acting because maybe if you could convince millions of people to like you, you will finally like yourself, approve of yourself. I don't know if that may have been a part of it.

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.