I realized that in all the sectors of society where there's a huge gender disparity, the one place that can be fixed overnight is onscreen. You think about getting half of Congress, or the presidency ... It's going to take a while no matter how hard we work on it. But half of the board members and half of the CEOs can be women in the next movie somebody makes; it can be absolutely half.

I almost never get nervous. I have ice water in my veins.

We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.

They called and said, "I know we're not supposed to even tell you, but you've been offered to play the President." And I said, "OK. Say yes." And they were like, "Do you want to read it maybe?" And I was like, "No, I just want to be the president."

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

I was so tall in high school that I was convinced that I was uncoordinated and not athletic. I was terrified to play any sport at all, no matter how hard they tried to convince me to be on the girls' basketball team as the tallest kid in class.

Obviously, movies don't almost ever shoot in sequence.