We gave each other a hug, [Richard Pryor] said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera.

I never thought of it as God. I didn't know what to call it. I don't believe in devils, but demons I do because everyone at one time or another has some kind of a demon, even if you call it by another name, that drives them.

I was miscast in that production [of Mother Courage and Her Children] ... but it was with Anne Bancroft, whose boyfriend at the time was Mel Brooks, and that made my - I can't say my day, it made my life, in a way.

My agent at the time, Mike Medavoy, before he became a movie mogul, called me up and said, how about a movie with you and Peter Boyle and Marty Feldman? And I said, well, what makes you think of that? He said because I now handle you and Peter Marty.

For what we are about to see next, we must enter quietly into the realm of genius!

But the acting process - create a human being - was real, not only to the audience, but real to me.

To match the shoes with the jacket is fey. To match the shoes with the hat is taste.