Docs are more exhausting because of the physical labor that's required. Feature filmmaking is more exhausting because of politics and the bullshit. You get to the point of rolling film and until you lock picture it's one political game after another. They're both struggles for survival. They are two different worlds.

The arc of the celebrity phenomenon ultimately is: everything turns to dust and everything does go away.

Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.

At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema - instead of narrative cinema, where you've got a script and a cast and you build from your foundation, whereas in documentary, you're building out of chaos.

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.

The promise of celebrity is a transcendental human state of existence. It's not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous - ultimately that goes away.

I always say be humble but be firm. Humility and openness are the key to success without compromising your beliefs.