We're in the transition between birth and death. But the one that people often know about is the transition between the moment of death and whatever comes next, so reincarnation or heaven or hell.

Every writer knows that when you're imitating somebody - you know, you're sounding like Faulkner - you're doing pretty good, but your life in Hoboken isn't Faulkneresque. So you get that kind of shortfall between the actual experience of the writer and the things he's hungry to express and the voice itself.

On one level, I am a total softie, sort of depressed and afraid of losing the people I love or failing them. To disguise that, there's all this harsh, poop-centric, external swagger, full of nastiness. I'm a cloaking device.

A culture's ability to understand the world and itself is critical to its survival. But today we are led into the arena of public debate by seers whose main gift is their ability to compel people to continue to watch them.

The only thing I might have noticed [and this is pretty anecdotal] is that there is some tendency to need to be taught that 'writing is rewriting' - maybe more of a sense than was pervasive 10 years ago that the first or second pass of a story is sufficient. That is an idea that is easily dislodged, but I suspect it might have something to do with the turnaround time re: blogging and so on - this sense that there is some essential truth about a first draft that one runs the risk of "ruining" by coming back to it.

Every step was a victory. He had to remember that.

Writing and reading and speaking with specificity and skill has never seen more important to me than it does at this moment. It's what's between us and chaos.