I came to writing kind of late. I was an engineer, and the one thing I've learned is that you have to steer a project in the direction of the maximum fun for you. You could say lively energy, or you have to try to be intrigued. Basically, if you were a musician and you were playing joylessly, nobody would want to hear you.

I'm from a pretty working-class background, and I really worked hard in my life to eradicate those parts of myself that were stupidly trapped in that world.Those of us who come up that way made a series of choices to benefit ourselves and make ourselves more generous and open.

I'm always nice when I do drugs. But, you know, I'm nicer on the drug called "writing."

It's a little like packing for a trip. First you lay out everything that might possibly be useful, with no thought about the size of your suitcase. Then, look at your suitcase. In the case of narrative, there's a certain obligation to keep the pace up and have each section or subsection be doing something.

I think we need leadership that can gently and with affection remind us of what we Americans mostly agree upon: civility, kindness, tolerance, humour, et cetera. The current Trump administration seems to thrive on trying to enforce a very odd, fearful agenda, that it tries to disguise in a false garment of fondness for the working-class - despite the fact that its policies seem designed to continue the decades-long habit of marginalizing that group.

What I regret most in my life are failures of kindness. Those moments when another human being was there, in front of me, suffering, and I responded . . . sensibly. Reservedly. Mildly.

I think the biggest single issue is income inequity and what this is doing to the good old "American dream." This and corporatism - this delusional idea that "shareholder value" outweighs everything else.