I feel nervous because I revere [Zadie Smith] so much. I don't want to be stupid. If I say something stupid, just interrupt me.

To me that really would be the essence of kindness, to have one's awareness so developed and refined that you could tell just what was needed, and not do any more or any less, and maybe not even be aware of what you had done, except it would be a helpful thing because of how fully present you were. Well, as Aerosmith once famously said: Dream on.

That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.

I'd just say that truth is power and vice versa.

I read to make myself feel awake.

I think fiction isn't so good at being for or against things in general - the rhetorical argument a short story can make is only actualized by the accretion of particular details, and the specificity of these details renders whatever conclusions the story reaches invalid for wider application.

When we talk about adversity, this is the moment when character really gets tested. When things aren't going the way you want and you can't see anyway that they're going to go the way you want. That's kind of when those old virtues really become valuable and vulnerable also.