The work of television is to establish false contexts and to chronicle the unraveling of existing contexts; finally, to establish the context of no-context and to chronicle it.

The work of television is to establish false contexts and to chronicle the unraveling of existing contexts; finally, to establish the context of no-context and to chronicle it.

Irony has seeped into the felt of any fedora hat I have ever owned - not out of any wish of mine, but out of necessity. A fedora hat worn by me without the necessary protective irony would eat through my head and kill me.

A tease is a con. You press a spot because you know that it can be pressed, and while the sucker is feeling the pleasure or the pain resulting from the pressure, you take something from him. ...A flirt doesn't do that. A flirt does a dance within the context of giving pleasure. Referring to this, referring to that. And suddenly, following the references, you find a little surprise. Nothing enormous. Nothing like 'Feed on me.' Nothing like that. Something small with a bow on it. It's a pleasure. A surprise, and a *gift*.

The Turkish Embassy in Washington is an ornate, eclectic building on the corner of Twenty-third Street and Massachusetts Avenue which was built originally for Edward Hamlin Everett, the man who put the crimp in bottle caps.

For members of a traditional society where many traditions have been discredited, an interest in modernity can result in a restless sophistication. Mehmet Ertegun seems not to have been a restless man.

It is in many circumstances a troubling thing to belong to the advanced class of a backward nation. One surrenders coherence and begins a difficult process of choice which ends, often, in an eclectic idiosyncrasy.