Although the works of the Creator may be in themselves all equally perfect, the animal is, as I see it, the most complete work of nature, and man is her masterpiece.

Style supposes the reunion and the exercise of all the intellectual faculties. The style is the man.

Nature is the system of laws established by the Creator for the existence of things and for the succession of creatures. Nature is not a thing, because this thing would be everything. Nature is not a creature, because this creature would be God. But one can consider it as an immense vital power, which encompasses all, which animates all, and which, subordinated to the power of the first Being, has begun to act only by his order, and still acts only by his concourse or consent ... Time, space and matter are its means, the universe its object, motion and life its goal.

The greatest marvel is not in the individual. It is in the succession, in the renewal and in the duration of the species that Nature would seem quite inconceivable. This power of producing its likeness that resides in animals and plants, this form of unity, always subsisting and appearing eternal, this procreative virtue which is perpetually expressed without ever being destroyed, is for us a mystery which, it seems, we will never be able to fathom.

Time is the great workman of Nature.

Only those works which are well-written will pass to posterity: the amount of knowledge, the uniqueness of the facts, even the novelty of the discoveries are no guarantees of immortality ... These things are exterior to a man but style is the man himself.

Let us suppose, that the Old and New worlds were formerly but one continent, and that, by a violent earthquake, the ancient Atalantis [sic] of Plato was sunk ... The sea would necessarily rush in from all quarters, and form what is now called the Atlantic ocean.