But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

It was exactly an assembly line. You could look into infinity down these rows of drawing tables.

But generally speaking, people weren't fired, art jobs were very hard to get, so something really calamitous had to happen to a person who was working there in order for you to find a space.

Everything was sensory and I never saw the structure in anything.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.

In other words, DC was never harmed by the paper shortages.

I think the lack of precision and deep focus is why it took me years to build up my work.