In other words, DC was never harmed by the paper shortages.

I was not too smart and constantly mouthed off and didn't know anything.

But I was also a big mouth, I started to develop a troubled relationship with Harry Shorten.

I just saw the emotion in everything, so I got to feel everything that was going on and that I was viewing, but I couldn't think in terms of structure, which is the whole point of deep focus.

By the end of the 50s, everything began to collapse and, little by little, I lost all of my work. I lost Rex, the Wonder Dog and all the westerns.

DC used to print up all of their pages, they were the only company that did it.

Everything was sensory and I never saw the structure in anything.