Architecture approaches nearer than any other art to being irrevocable because it is so difficult to get rid of.

I might inform those humanitarians who have a nightmare of new and needless babies (for some humanitarians have that sort of horror of humanity) that if the recent decline in the birth-rate were continued for a certain time, it might end in there being no babies at all; which would console them very much.

Only men to whom the family is sacred will ever have a standard or a status by which to criticize the State. They alone can appeal to something more holy than the gods of the city.

When we reverence anything in the mature, it is their virtues or their wisdom, and this is an easy matter. But we reverence the faults and follies of children. We should probably come considerably nearer to the true conception of things if we treated all grown-up persons, of all titles and types, with precisely that dark affection and dazed respect with which we treat the infantile limitations.

London is a riddle. Paris is an explanation.

No one can understand Paris and its history who does not understand that its fierceness is the balance and justification of its frivolity. It is called a city of pleasure; but it may also very specially be called a city of pain. The crown of roses is also a crown of thorns. Its people are too prone to hurt others, but quite ready also to hurt themselves. They are martyrs for religion, they are martyrs for irreligion; they are even martyrs for immorality.

With every step of our lives we enter into the middle of some story which we are certain to misunderstand.