If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.

And dance is wonderful because dance is so immediate.

It's the emotional trigger points that are important to me because I know if I could believe in the characters and try and imagine how they felt then I'd be able to do something quite honest.

SDC has a great reputation for putting live music on stage.

No one was creating and I always wanted to be created on.

I'm in the position to pick the cream of the crop.

I'm interested in people who can take the movement somewhere.