Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
I'm interested in people who can take the movement somewhere.
Mostly, I'm in the very enviable position that no one dictates what I do.
If the year 2000 can help us move into the future, that's fine, but I am afraid that people see it as a full stop and that one can take a big breath afterwards - you can't.
I look at the dancers and I get the inspiration for the work from them.
There's a line of dancers waiting to get into Sydney Dance Company.