I have loved no part of the world like this and I have loved no women as I love you. You're my human Africa. I love your smell as I love these smells. I love your dark bush as I love the bush here, you change with the light as this place does, so that one all the time is loving something different and yet the same. I want to spill myself out into you as I want to die here.

When you visualized a man or a woman carefully, you could always begin to feel pity . . . that was a quality God's image carried with it . . . when you saw the lines at the corners of the eyes, the shape of the mouth, how the hair grew, it was impossible to hate. Hate was just a failure of imagination.

Our heroes are simple: they are brave, they tell the truth, they are good swordsmen and they are never in the long run really defeated. That is why no later books satisfy us like those which were read to us in childhood - for those promised a world of great simplicity of which we knew the rules, but the later books are complicated and contradictory with experience; they are formed out of our own disappointing memories.

The world doesn't make any heroes anymore.

Pity is cruel. Pity destroys.

I had committed myself: without love I'd have to go through the gestures of love.

However great a man's fear of life, suicide remains the courageous act, the clear-headed act of a mathematician. The suicide has judged by the laws of chance - so many odds against one that to live will be more miserable than to die. His sense of mathematics is greater than his sense of survival. But think how a sense of survival must clamor to be heard at the last moment, what excuses it must present of a totally unscientific nature.