A comic will always be more 'personal' than a DVD or CD, both of which require electronic 'players' to decode their content. With comics, the reader is the player so the engagement with the material is always more fundamental and dynamic. Reading comics is a much less passive activity than consuming CDs and DVDs.

Reality and unreality have no clear distinction in our present circumstances.

The only time I ever met a character that I wrote was when I met Ian McKellan, when he was playing Magneto in the 'X-Men' movies.

Life doesn't have plots and subplots and denouements. It's just a big collection of loose ends and dangling threads that never get explained.

I do like to keep abreast of what the hardcore vocal members of the comics-reading audience are talking about on Internet message boards, but there are so few of them, as a percentage of the buying audience, that I can't allow their opinions to dictate story direction.

I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.

My art school rejection letter arrived as a cold manila fist that closed around my fragile hopes ... The fear was practically edible. Nothing would happen unless I get out and make it happen. Then, as if handling me the keys to the jet pack, my dad bought me a typewriter and a taped message to the inside of its case: "Son - the world is waiting to hear from you".