As the older ones, to understand that it is a different time, and young people look at fashion in a different way . . . It's just different. If we harp on about it, they'll feel like we're just old fuddy-duddies, so I just kind of get on with it. I still feel I've got things to say.

I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.

I have a total complex [because of my curls], though, because I got teased a lot as a kid.

Even though the industry is very big and there's lots of money, when it gets down to it, whether it's a photographer or a designer, as well as a stylist or makeup artist, you're really only working with maybe four or five people on a project. It's all quite small and intimate.

I must say, Gisele's [Bundhen] got some of the best hair I've ever touched.

I try to be aware of technology and Japanese animation and old Belgian paintings, and get all my references from bits of everywhere.

Fashion now is just so confusing. It doesn't feel as easy. Fashion seems to be in a much more eclectic place.