I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls.

When you respect somebody who has talent, whether it's a designer or a photographer, then you don't want to let yourself down - but you also really don't want to let them down.

I didn't know I wanted to be a hairdresser. I was always interested in fashion and imagery in a very naive way, but it was always an attraction, like glitter balls.

To be a good hairdresser, you have to understand what the vision is of the designer or the photographer and then sort of add your thing.

Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.

The Brits always favor the underdog. There's an eccentricity to us, and I think you can see that through the fash- ion and the music and the way people look.

When you work with great people, you learn - about film, about clothing, about life, about sex.