I like to think that we've got a plan, so let's stick to it. That said, once we've stuck to it, we're allowed as much improvisation as anyone cares to indulge themselves in.

In fact, 95% of the people in my films have been nothing less than a pleasure to work with.

I like death. I'm a big fan of it.

Previously, on Lock, Stock, I went to bed at two in the morning and woke up at five in the morning, and on this one I was known to nod off on the set occasionally.

I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.

I'm not under too much of an illusion of how smart or un-smart I am because filmmaking ultimately is about teamwork.

I love fatherhood. I could bang on about kids forever.